Tokyo Toni Sparks Controversy Again, Dragging Beyoncé and GloRilla Into the Mix

Tokyo Toni, the outspoken mother of Blac Chyna, has once again set social media on fire with her latest rant targeting none other than Beyoncé and rapper GloRilla. Known for her unfiltered opinions and harsh criticisms, Toni has consistently voiced her disdain for Beyoncé, whom she accuses of being involved in demonic practices. This time, she also turned her attention to GloRilla, accusing the rising rapper of being part of Beyoncé’s so-called “demonic cult.” The internet is ablaze with reactions, as fans of both artists defend their idols while others speculate on Toni’s claims.

Tokyo Toni’s History of Beyoncé Criticism

Tokyo Toni has made a name for herself by being one of Beyoncé’s most vocal critics. Over the years, she has accused the superstar of engaging in Illuminati rituals, sacrificing people for fame, and leading her fans into darkness. Her rants, which often take place on Instagram Live, have been dismissed by many as baseless conspiracy theories. However, she remains committed to her stance, gaining a cult following among those who believe in celebrity conspiracy theories.

During the recent Grammy Awards, Tokyo Toni took things to a new level. She went live on Instagram to share her reactions to the event, specifically targeting Beyoncé’s performance. She claimed that Beyoncé’s stage theatrics, including being lifted into the air, were symbolic of her so-called “demonic ways.” According to Toni, Beyoncé’s elevated performances were not just artistic choices but rather representations of her posing as a black angel, misleading her followers into damnation.

Dragging GloRilla Into the Drama

The controversy didn’t stop with Beyoncé. GloRilla, who was seen fangirling over Beyoncé at the Grammy Awards, also became a target of Tokyo Toni’s criticism. A video that went viral showed GloRilla enthusiastically cheering as Beyoncé walked up to the stage to accept her award for Best Country Album. Many found the moment heartwarming, as GloRilla was simply showing admiration for one of the biggest artists in the industry. However, Toni saw it differently.

She labeled GloRilla a “groupie” for being overly excited about Beyoncé. In her eyes, GloRilla’s public display of admiration was proof that she was being drawn into Beyoncé’s so-called “demonic cult.” Taking things further, Toni made body-shaming remarks, stating that GloRilla looked like a “10-year-old boy” and that she was making a fool of herself by celebrating Beyoncé in such an animated way. The comments were met with immediate backlash, with many calling Toni out for her unnecessary and mean-spirited remarks.

GloRilla Claps Back

GloRilla, never one to shy away from confrontation, caught wind of Toni’s comments and decided to respond. Instead of engaging in a lengthy argument, she simply commented on a Shade Room post, saying, “Somebody call animal control.” Her response was short but effective, as it garnered widespread support from fans who felt that Toni’s attacks were out of line.

Social media users sided with GloRilla, pointing out that she had done nothing wrong by showing excitement over Beyoncé’s win. Many felt that Toni’s obsession with calling out Beyoncé had now extended to innocent bystanders, making her criticisms seem more like personal vendettas than legitimate concerns.

Social Media Reacts

The internet erupted with mixed reactions to the feud. While most people defended GloRilla and Beyoncé, there was also a subset of users who agreed with some of Tokyo Toni’s points.

One Twitter user wrote: “Not saying she should have come at GloRilla like that, but she’s 100% right. Y’all worship Beyoncé like she’s Jesus himself, and it’s sad.”

Another added: “Tokyo Toni ain’t lying, but the message is getting lost because of the messenger. Y’all be praising Beyoncé when she’s praising the devil.”

On the other hand, many felt that Toni’s obsession with Beyoncé had gone too far. A user commented: “At this point, Tokyo Toni needs to find a new hobby. She’s been talking about Beyoncé for YEARS. It’s giving bitter.”

Another pointed out: “Imagine being old enough to be somebody’s grandma and spending your days attacking celebrities online. Embarrassing.”

Is Tokyo Toni’s Criticism Valid or Just Another Conspiracy Theory?

The debate over whether celebrities like Beyoncé are involved in secret societies is nothing new. The Illuminati conspiracy theory has been around for decades, with various public figures being accused of participating in it. Tokyo Toni’s claims align with many of these existing theories, but they lack concrete evidence.

Beyoncé herself has addressed these rumors in the past, mocking the idea that she is part of some grand conspiracy. Despite this, people like Tokyo Toni continue to push the narrative that she is leading her fans into darkness.

As for GloRilla, her response indicates that she has no interest in engaging with Toni’s accusations. She seems focused on her music career and isn’t letting the negativity distract her. Many believe that Toni’s attack on GloRilla was unnecessary and that she was simply an innocent bystander caught in the crossfire of Toni’s ongoing feud with Beyoncé.

Final Thoughts

Tokyo Toni’s latest outburst has once again placed her at the center of controversy. While she continues to claim that Beyoncé is a demonic figure leading people astray, most of the public sees her as an attention-seeking provocateur. Her attack on GloRilla was particularly uncalled for, as it targeted a young artist who was simply expressing admiration for a musical icon.

While some agree with Toni’s larger message about celebrity worship, her aggressive and often offensive delivery overshadows any valid points she might be making. The feud between her and GloRilla likely won’t last long, as Glo seems uninterested in escalating the drama. However, one thing is for sure—Tokyo Toni isn’t done talking about Beyoncé anytime soon.

What do you think? Is Tokyo Toni exposing the truth, or is she just reaching for attention? Let us know your thoughts in the comments.